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The Trombone ForumHorns, Gear, and EquipmentInstruments(Moderators: tbone62, Greg Waits) Your personal favourite out of these horns?
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harrison.t.reed
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« Reply #40 on: Jan 16, 2018, 11:26AM »

Previous comment was too late to the party. OP, what did you end up getting??
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Edwards Tenor
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Dukesboneman

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« Reply #41 on: Jan 16, 2018, 01:47PM »

I have never played any of these but I have a plain old time tested Bach 42BO that plays great and works for me.
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Stefanbencic
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« Reply #42 on: Jan 27, 2018, 08:41AM »

Previous comment was too late to the party. OP, what did you end up getting??
T396A
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jgz
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« Reply #43 on: Jan 31, 2018, 12:03AM »


holy cow, apparently I need to make a trip to Germany   :D  Do you think you can go? It looks like they have a number of horns, including several of the botique hohrns, though I don't know what they carry in stock.  I'd definitely contact theem and see if I could make it up there. 

Another excellent reseller ist Musik Bertram in Freiburg...
http://musik-bertram.com/?load=sortiment

They sell even Schilkes, Shires, Greenhoe
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harrison.t.reed
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« Reply #44 on: Jan 31, 2018, 07:03AM »

T396A


Do you like it?
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Edwards Tenor
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Stefanbencic
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« Reply #45 on: Feb 07, 2018, 04:37AM »

Do you like it?
Yeah, it arrived today.
Now I have a month to get used to it for my Curtis audition.
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harrison.t.reed
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« Reply #46 on: Feb 10, 2018, 07:22AM »

I've found that the "#1" copper pillar placed downwards in the hole closest to the bell (ie, away from the tuning slide) works really well. I get a bit more response and color out of it.

The same pillar, placed in the middle hole and facing upwards, towards the tuning slide, shifts the horn to play a lot more stable. It's like each partial is a deep, straight rail track.

Those pillars are worth trying out.
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« Reply #47 on: Feb 10, 2018, 01:38PM »

I've found that the "#1" copper pillar placed downwards in the hole closest to the bell (ie, away from the tuning slide) works really well. I get a bit more response and color out of it.

The same pillar, placed in the middle hole and facing upwards, towards the tuning slide, shifts the horn to play a lot more stable. It's like each partial is a deep, straight rail track.

Those pillars are worth trying out.
Yeah  I've read some of your posts about them I will be messing with them after my audition.
The thing that is interesting is when you look at Alessi, Toby Oft, Matt Vaughn, Csaba Bencze , just to name a few, they don't use any of them.
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